I think y'all saw it upstream, but here it is again:
I think this photo is a couple years old. Y'all have seen it before. There have been some additions and subtractions since then. 80% of these pedals are permanent.
The board itself is from custompedalboards.co.uk They make boards that are exactly sized to use with some of the common pedal switchers like gigrig and Boss.
I cut and soldered all my own cables.
In order of signal path:
COMPRESSION/BOOST
That Cali76 is an 1176-style compressor. I'm working on a funk project, and using a Strat with bridge pickup into that gets you to Nile Rogers territory.
Outside of trying to be Nile, the Sex Drive has all the compression I would otherwise want. So the Cali76 sometimes gets pulled in favor of an Empress parametric EQ (if the EQ on the amp isn't getting me there) or a little EP boost.
OVERDRIVE
Love the King of Tone. It's perfect for what I want to do... Very natural low and medium gains that can be combined with the amp's overdrive to add just a bit more hair.
Thorpy FX Fallout Cloud - My favorite fuzz. It replaced an analogman sun face (for half as much money), and I think it gives you that sound in a slightly more controlled way (less hiss, squealing, chaos). As much as I love it, it doesn't get stepped on all that often, and I might get a little more use out of another dual overdrive like Duellist or Protein.
MODULATION
That white pedal on the top right is a Walrus Audio octave pedal -- like a POG with a much smaller footprint -- and I think it tracks better and sounds better than a POG.
Thorpy FX Deep Oggin - has already been sold. It's cool, but too expensive and rarely got used. It got replaced by a Boss Dimension C. Because the 80's.
Empress phaser - Again, I've been working on a funk record, and this one has some settings with envelope filters so it can quack like a meatball. This is the only pedal where I think, "Too many modes, too many knobs, takes too long to dial something in."
Mobius - Damn, I'm impressed with this thing. I'll admit that it can't mimic *every* phaser/flanger/chorus pedal ever made, but I think it gets reeeeeeaaal close to almost all of them... without spending hours deep in the menus. It will never come off the board.
DELAY/REVERB
Strymon Timeline - Seems like it's become ubiquitous.
Hall of Fame Reverb - Kind of "meh" on it, but I have a couple amps that don't have reverb, so I need something there at the end of the chain.
Sometimes I take off a modulation pedal and add a second delay, and set that one to a short slap.
I also have an old TC Electronic Novadelay, that I think sounds fantastic and has a very simple interface and layout, but it's A) a big footprint, and B) it has a weird voltage requirement (requires its own power supply under the board, which is a pain in the ass). Those two factors make it inconvenient. I should probably sell it.
POWER SUPPLY
Hidden under that middle row of pedals is a Walrus Audio Phoenix. I wish it had a couple more outputs that provide high amps for all the modern digital stuff, because that is often a limiting factor on what can live on the board at the same time. But I ain't starting over again.
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My skill as a guitarist falls well short of being worthy of this board. I think I'm a decent songwriter and singer, but I am definitely not any sort of guitar wizard. For me, it's a writing tool, and a source of inspiration... certain pedal combinations and sounds lead to riffs and melodies that I would otherwise never come upon.