I really like it. To my ears, it sounds like a *slightly* more modern-sounding Vox... i.e. a little more saturation as it breaks up more and more. It breaks up in a way that doesn't feel genre-specific to me. Depending on the settings, I think it could be perfectly at home in an alt-country band (Stapleton/Isbell/etc) or as a heavy Brian May thing.
If I had one complaint with it, it's that the EQ often feels a bit light on low mids, although that could also be an accurate reflection of the guitars that I'm using. I haven't recorded with it much, but it occurs to me that the same low mids that I want to bump up with an EQ pedal might be exactly what's carved out by the mix engineer.
I could get down to three amps for the rest of my days on earth and be perfectly content: A Laurel Canyon, a Two Rock Studio Pro 35 (which is the ultimate Swiss army amp, IMO), and a Marshall flavor (either a 65Amps Empire or one of those Marshall 20-watt Plexi-voiced heads).