yeah, but specifically, as someone who studied RTF at Texas, those first 40 seconds are exceptionally well edited. Like the opening shot of Ehlinger slowly looking to the right, which cuts to a home video of Ross Ehlinger where they cut a few frames before he's centered as Ehlinger's mom was panning to give a slight left-to-right motion while framing, so you mentally connect the image of Ehlinger looking into the stands and seeing memories of his father sitting there.
The juxtaposition of shots, like him throwing up the horns at the RRS cutting to him as a kid throwing up the horns, then immediately to him loving his dad again. It tells a powerful story in less than a minute, with no real expositional narration, all through candid videos and a somber soundtrack. It does this in just 6 shots (7 cuts if we count the jump cut for time when Ehlinger is throwing up the horns as a kid), none of which were filmed at the time with any expectations of continuity, and it still works. It's a really good sequence.
Really great stuff.