The best thing about EEAAO, by far, was Michelle Yeoh's acting. She was phenomenal, and I had no real problem with her winning over Blanchette even though Tar was my second favorite movie of the year. The mother/daughter and husband/wife storylines at the core of the movie also worked relatively well. The Wong Kar Wai homages were enough to put the movie in my personal top 25 for 2022.
But, for me, the non-stop omg LULZ humor got really, really tiresome and unfunny, and I was very ready for the movie to end. It's not a difficult movie "to get". It's just not everyone's cup of tea, and that's ok. Genre movies can be like that.
But also fuck the knuckle draggers in this thread who just can't help but get themselves worked up over anything of color receiving adulation (OMG I can't even open my algorithmically-curated Facebook feed without race being thrown in my face by woke Hollywood argghhh!!)