Amen x 1,000.
Forrest Gump was a serious flashback. I was eleven years old on June 11, 1963 when that fuckhead George Wallace "stood in the schoolhouse door" in Tuscaloosa, less than a mile from my home. Some neighborhood pals and I were holed up in a treehouse in full Alamo siege mode (slingshots and BB guns) while National Guard troop trucks rumbled up and down our street and Guard helicopters flew overhead. Unaware the nonviolent events to come had been scripted in Washington and Montgomery, we were expecting Armageddon to break out at any moment.
Fast forward to a Friday night in September, 1994 before an Alabama home game. It was a truly visceral experience watching newly-released "Forrest Gump" in a packed out Tuscaloosa theater. When Forrest, sporting that dead-solid-perfect early sixties uniform and single-bar helmet, caught the kickoff in a checkerboarded end zone and zigzagged all the way back through the hated Tennessee Vols, every last hair on the back of my neck stood up as the theater audience went apeshit. In one second I was transported back thirty years back to games I had witnessed during that same era. The end zone checkerboard detail was a nice touch. When Bama played Tennessee in Birmingham in those years, one end zone was checkerboarded crimson and white and the other orange and white. Tennessee always brought a dude who paraded all around the field on a prancing, jet black Tennessee walking horse in the moments before kickoff, as the Vol band playing "Tennessee Waltz." I saw the Alabama home crowd give horse and rider a standing ovation, something you'd never see today.
The references to JFK, Viet Nam, student protests, John Lennon's murder, crackerism, racial harmony and disharmony, drugs, music, true love and college life all really hit home. Bravo Winston Groom, bravo Robert Zemeckis, bravo Tom Hanks. The sound of Viet Cong rifle rounds ripping through elephant grass and human bodies haunts me still. No wonder vets have PTSD.
My favorite line: Cracker asshole school admissions guy to young Forrest after nailing his mother: "Yew don't talk much, dew ya?" Forrest: "Ouggh! Ouggh! Ouggh!"
Loved the book, loved the film, hated so much of the godawful shit those in power did in those days. This film brings it all back and does it with an impact.
Not sure if it's true but I read in an interview with Winston Groom in a Mobile paper that his contract was so full of weasel clauses, he did not make a cent on the film's worldwide box office, which was $600 million at that time, likely another $600 million by now. Watch out what you sign, people.