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sidis

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sidis last won the day on July 12 2022

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  1. Those drums are poppin'! Sound rich and good depth...don't have to cut through the mix as they are right up front.
  2. you know i love me some programmed drums and samples...i've looked at a few of these and I like a lot of them. but just seeing the ez drummer name is giving me ptsd of providing sms-based technical support to a certain, short-lived prog rock band's drummer each time said band was working on a new song.
  3. ever since i got my atc's at home, i actually love mixing (as long as it is either my own music or something i really like from someone else) because it's a fun sonic journey. i am way too slow at it though. but this was truly the first time i went soup to nuts on my own on drum recording and it's definitely the hardest on a drum track with 12 different tracks. luckily, paul's go-to engineer is as patient and generous as he is talented and he weighed in on a few of my detours to help me figure out how to push through a number of roadblocks i was having. for example, i was getting a really washy sound on cymbals in the second half that was driving me apeshit...they weren't there in isolation and then when mixed with the rest of the song, there it was all washy and distracting. it was an issue with the release time on the 1176 on just the kick drum in the parallel drum buss...the bleed from the cymbals was coming through the kick, kick would trigger the compressor (whose attack was way too fast and the release time was dialed all the way out to max length) so the cymbal bleed all the way down on the kick was getting pulled way too far up by the 1176 on the kick. stupid shit like that. Gate out the cymbals on the kick mic and dial the 1176 attack to slowest possible and release to fastest possible and voila, i'm no longer a dipshit. gating and debleeding all the close mics but the overheads and rooms was a key to getting to a point where i could figure out where to nudge things. it was a good learning experience but is the kind of thing i suppose you more effectively pick up working as a button pusher in a real studio for 10 years before actually doing it instead of trying to autodidact myself through trial and error.
  4. thanks, yeah i agree. it was a fun couple of hours getting them down...a pretty silly number of takes but we were having a good time an i got them pieced together. i just learned a hell of a lot about how to work with 12 different mic recordings of drum takes in pro tools and how to mix and work with that drum buss. we captured two kicks (one running through an 1176) and then the kick and snare had a parallel track through the bricasti. everything else was just eq'ing and a little gating on the ssl channel strips. but my god, once i got home and started working in pro tools with just the drums, i learned...a lot. started with two kicks and just overheads. got them where i wanted, brought everything else up slowly and killed a few mics entirely. full parallel with a nuked el-88 distressor mixed in at about 50% of the primary track. each mic/track had a de-bleeding gate (black salt silencer is wizardry if anyone needs to do this) pro-q4 eq on it that was scooping and boosting all the nasty stuff. drum buss had an api 550a, soothe2, spiff, and a few other things. put that all that into the logic session where the rest of the song was. did a little sample supplementation on the kick and snare in a few spots, the toms in a few spots, and a few crashes where the performance lacked. bussed all that to a reverb send and used the 7th heaven bricasti emulator. then volume and panning automation to finish. tldr: holy shit recording and mixing real drums is a lot when you're really doing it on your own for the first time.
  5. thanks, jj. drums were at paul's place...pix on the drum porn thread. drummer is a friend of mine. not a regular pro so keeping that non-public. but while not the most challenging drumming given it is all in half-time, still a nice outcome that musically enhanced the track IMO.
  6. so it only took me like three months to get the damned drums recorded but i did indeed follow through. Here is the updated version of @Goredho absolutely lighting the world on fire with a fabulous lead. Had a session drummer for the drums. I did everything else.
  7. every orchestral player i have worked with or observed uses one of these two: https://us.donnermusic.com/products/donner-wireless-page-turner-pedal-for-digital-devices-black https://www.airturn.com/ i inquired once about a page flip butterfly and was told they were finicky. eta: paul wesley makes an important point though. be careful when recording because i have had to de-click string sessions a few times due to an overly enthusiastic cellist getting carried away.
  8. i can't imagine the most perfect random number generator algorithm in the most sophisticated system possible can be more effective and generating the most random fucking shit possible than the patented surly long thread pop-in surprise. haven't checked in on a thread in a day or two? just pop in on to the last page of a thread so that you can see this Sherrone moore downfall crash out thread turn into people's take on the nastiest shit ever invented...big red. because of course. love you people.
  9. he can do things with guitars i could never dream of doing. he's an insanely good player. music is boring after 15 mins.
  10. Absolutely no one is “crashing out.” They’re just telling the dumb bitch to shut the fuck up and to go be a circus monkey in some other context.
  11. i'm sure as long as you keep posrepping a shit-for-brains troll for white-knighting overtly racist behavior as you have done in this thread, i'm sure it will.
  12. When you say this, are you referring to Seventh Heaven by Liquidsonics? Or something else? I have Seventh Heaven as well but man, it's just not the same. While I love Seventh Heaven and Cinematic Rooms both, the computer just simply can't replicate that many processors doing its thing. I was actually really happy with SH until using Paul's actual M7 this past weekend and now I'm like "god damnit."
  13. No, it was the drummer's. A pretty old yamaha kit.
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