Damn. Incidentally, his drum setup was very unique and used symphonic toms set too far out of reach and many said he set his seat “too high” to reach which meant he was making very fast, fine motor movements while stretched out too far. Result was some bad lower back shit. But as one of our resident drummers, I’ll add my voice to the record that Phil is laughably underrated and absolutely phenomenal as not only a drummer but as a contributor to the potential and canon of the instrument. His brilliance as a drummer was overshadowed by his prominence later as a pop artist and singer. But he wasn’t too goddamn shabby there - solo or with post Gabriel Genesis. And even then his drum compositions are deceptively simple sounding but hard to chart/play AND he was a pioneer in mixing acoustic and electronic sounds, triggers, synthesizers, etc. In terms of just sheer versatility and musicianship (to say nothing of his monstrous technical chops as a drummer), I would hazard to say he’s on par with Prince. And back specifically to the drummer part: when Chester-fucking-Thompson is your “understudy” for touring over several decades, you know you’re dealing with a virtuoso behind the kit. Oh, and the Alamo shit is just fascinating to me. Like, he’s a big fucking ego-less, curious nerd. Who happens to sell out coliseums and stadiums since many of us were tots. Veers toward Rush level nerdiness but with an oddly specific Texas focus. I dig it.